If you right click on your nodes, go to Add Tool and go down to Mask, you will now have access to the masking tools available in Fusion. In general, I apply tracking data outside the Tracker or Planar Tracker and do not use those nodes to undertake the actual merge. The Fusion Tab is where all the masking and tools to create video effects are made. The Planar Tracker can be left as its own branch and does not have to be connected to the MediaOut. Connect the graphic to the Planar Transform, and set the Planar Transform's Track Spline parameter to the planar tracker track. The Planar Tracker does work like a Merge, but you can apply the planar deformation with a Planar Transform node separately. With this setup, how can I output ONLY the screen graphic to the color tab? As I see it, the planar tracker works as a "merge" in this case so I don't understand how to output only the graphics. So, the node three looks has the phone fed into the background of the planar tracker, the graphics fed into the foreground of the planar tracker, and the planar tracker itself is fed into the media out node. after much testing, I found the following works: 1) add video clip to timeline 2) right click video clip 3) select new fusion clip 5) click fusion 6) add vfx elements I never had to 'create a new fusion clip' to add vfx elements in DR 16. You are done, play your clip to see the result.I have done a screen replacement and fed the screen graphics straight into the planar tracker. 1) add video clip to timeline 2) select video clip 3) click fusion 4) add vfx elements no longer works.You can adjust the amount of gradient by lengthening or shortening the arrow. Change the Rotation of the gradient by dragging the arrow down, then move it to where you get the best blend.Go to the Color tab, select the top clip and add an alpha output to the node by right-clicking on a blank space in the node editor.Remember to increase it back to 100% when you are done aligning your clips.
You can temporarily lower the opacity of the top clip to see better. Use the Y position to move your clips into a place where the skies overlap nicely.In the Inspector change the rotation angle for your top clip to 180.Drag your clip onto the timeline, then duplicate it and place it on the track above or place your second clip on the top track, whichever you choose.To effectively mirror a clip horizontally, or even two different clips we will use a different technique.
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